I compose pieces between music and performance art. I investigate the spaces between the performative and the pedestrian through scores that combine improvisation and notation. I like to create environments that poke at recital norms, what is considered “normal” use of public space, and assumed social patterns.

“For” from Inverse Voice Events (Anderson)

Noon Chamber Music Series @ California Institute of the Arts, 11/19/22

“Maintain a Conducive Environment” from Inverse Voice Events (Anderson)

Fall Voice Event @ California Institute of the Arts, 10/2/22

RORSCHACH:

CONCERTO FOR LIVE GRAPHIC COMPOSITION

Co-composition with Nic Brannen

RUSHED INTONATION

site-specific piece for pitched instruments.

audience members sit in darkness in the hall, front and back doors open. players move in a series of patterns to varying degrees of exertion around the hall’s outer hallway.

HERD

for alto saxophone, tenor saxophone, two wooden flutes, vocalists, and sine tones

GROUP INHIBITION

for variable instruments